How can a novel be inspired by structures such as the fugue or the sonata form? And what do you receive from the acquisition of these forms? How can the musical act be told? The conversation with Simona Carretta, one of the editors of Comporre. L’arte del romanzo e la musica (Composing. The art of novel and music), takes a cue from the essays collected in the book and focuses on the deep and complex ties that exist between narrative and musical form. Through these ties, the novel finally shows to enjoy the best of health.

Simona Carretta, Claudio Morandini (2015). "Comporre" il romanzo. Conversazione con Simona Carretta. DIACRITICA, Anno I, fasc. 3(Anno I, fasc. 3), 67-76.

"Comporre" il romanzo. Conversazione con Simona Carretta

Simona Carretta
;
2015

Abstract

How can a novel be inspired by structures such as the fugue or the sonata form? And what do you receive from the acquisition of these forms? How can the musical act be told? The conversation with Simona Carretta, one of the editors of Comporre. L’arte del romanzo e la musica (Composing. The art of novel and music), takes a cue from the essays collected in the book and focuses on the deep and complex ties that exist between narrative and musical form. Through these ties, the novel finally shows to enjoy the best of health.
2015
Simona Carretta, Claudio Morandini (2015). "Comporre" il romanzo. Conversazione con Simona Carretta. DIACRITICA, Anno I, fasc. 3(Anno I, fasc. 3), 67-76.
Simona Carretta; Claudio Morandini
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/887554
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