During the late nineteenth and early twentieth centuries, in the academic and literary circles of tsarist Russia Dante’s Divina Commedia was considered as a religious poem. The theological background underlying the work incurred ecclesiastical censorship, which made it challenging to publish its translations during Nicolay i’s and Alexander ii’s reigns. The mystic motifs and religious imagery found therein became later particularly popular with Silver Age authors. The reception of the Divina Commedia as a Christian text remained unchallenged in the early post-revolutionary Russian intellectual milieu; notably, the publishing house “Vsemirnaja Literatura” (“World Literature”) was not able to justify the preparation of a new translation on ideological grounds. Until the early 1930s, in Soviet literature Dante Alighieri was a controversial figure within the subfield of literary translation; yet in 1946, Michail Lozinskij’s translation of the Divina Commedia was awarded the Stalin Prize 1st class, which for the very first time was granted to a work of translation. The aim of this article is threefold: first it attempts to demonstrate the ways by which, beginning in the 1930s, Dante gradually came to occupy an important place in some printed media in the Soviet Union; second it investigates the circumstances under which a translation of the Divina Commedia was published, and lastly it emphasises that the religious content of Dante’s poem – once appealing to pre-revolutionary writers – was eventually disregarded. The present research, which relies on documents from public and private archives, also traces the history of the preparation of the commentaries that in the 1930s and 1950s accompanied the Russian translations of the Divina Commedia; I shall argue that the editors Dmitrij Min and Michail Lozinskij adopted an approach that was to a certain extent similar to ecclesiastical censorship in tsarist Russia.

Dante Canonized and Discarded. Some Remarks on the Reception of the Divina Commedia in the Stalin Era

Kristina Landa
2021

Abstract

During the late nineteenth and early twentieth centuries, in the academic and literary circles of tsarist Russia Dante’s Divina Commedia was considered as a religious poem. The theological background underlying the work incurred ecclesiastical censorship, which made it challenging to publish its translations during Nicolay i’s and Alexander ii’s reigns. The mystic motifs and religious imagery found therein became later particularly popular with Silver Age authors. The reception of the Divina Commedia as a Christian text remained unchallenged in the early post-revolutionary Russian intellectual milieu; notably, the publishing house “Vsemirnaja Literatura” (“World Literature”) was not able to justify the preparation of a new translation on ideological grounds. Until the early 1930s, in Soviet literature Dante Alighieri was a controversial figure within the subfield of literary translation; yet in 1946, Michail Lozinskij’s translation of the Divina Commedia was awarded the Stalin Prize 1st class, which for the very first time was granted to a work of translation. The aim of this article is threefold: first it attempts to demonstrate the ways by which, beginning in the 1930s, Dante gradually came to occupy an important place in some printed media in the Soviet Union; second it investigates the circumstances under which a translation of the Divina Commedia was published, and lastly it emphasises that the religious content of Dante’s poem – once appealing to pre-revolutionary writers – was eventually disregarded. The present research, which relies on documents from public and private archives, also traces the history of the preparation of the commentaries that in the 1930s and 1950s accompanied the Russian translations of the Divina Commedia; I shall argue that the editors Dmitrij Min and Michail Lozinskij adopted an approach that was to a certain extent similar to ecclesiastical censorship in tsarist Russia.
File in questo prodotto:
File Dimensione Formato  
articolo studi slavistici 2021.pdf

accesso aperto

Descrizione: articolo Studi Slavistici-2021
Tipo: Versione (PDF) editoriale
Licenza: Licenza per Accesso Aperto. Creative Commons Attribuzione (CCBY)
Dimensione 739.68 kB
Formato Adobe PDF
739.68 kB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11585/829054
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? 0
social impact