This article investigates preventive censorship in Italian cinema in a period spanning from the end of the Second World War to the beginning of the ’60s. By means of the analysis of documents coming from institutional and private archives, we focus on three case studies (the failed adoption of a self-regulation code, the condemnation of Il miracolo by the American episcopate, the pre-production of the shockumentary Mondo cane). We then propose to consider preventive censorship not only as a repressive device, but also as a system for negotiating public relations with respect to issues that invest the current morals of an era.
Francesco Di Chiara, Paolo Noto (2020). Un codice italiano per la cinematografia. Censura e autocensura preventiva 1944-1962. L'AVVENTURA, 1, 87-103 [10.17397/97436].
Un codice italiano per la cinematografia. Censura e autocensura preventiva 1944-1962
Paolo Noto
2020
Abstract
This article investigates preventive censorship in Italian cinema in a period spanning from the end of the Second World War to the beginning of the ’60s. By means of the analysis of documents coming from institutional and private archives, we focus on three case studies (the failed adoption of a self-regulation code, the condemnation of Il miracolo by the American episcopate, the pre-production of the shockumentary Mondo cane). We then propose to consider preventive censorship not only as a repressive device, but also as a system for negotiating public relations with respect to issues that invest the current morals of an era.File | Dimensione | Formato | |
---|---|---|---|
Di Chiara-Noto Un codice italiano per la cinematografia accepted manuscript_cover.pdf
accesso aperto
Tipo:
Postprint
Licenza:
Licenza per accesso libero gratuito
Dimensione
328.68 kB
Formato
Adobe PDF
|
328.68 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.