The transfer of a sociocultural universe of a given prototext within a new subtitled context requires a systemic analysis that takes into consideration not only the needs of the linguistic pair, but also the micro-context and polysemiotic analysis of the audiovisual text. In fact, the observation skills that are intrinsic in this mediation process lead the subtitler to develop a visual ability that allows him/her to extrapolate from the iconic channel useful information for a more precise decoding and recoding of the semantic contents. This study presents the analysis of a small corpus of interlinguistic subtitles for the Japanese movie Sayōnara keikoku (Ōmori Tatsushi, 2013) produced by the students of an advanced training course in audiovisual translation with a special focus on the rendition of diaphasic elements in Italian.

Prospettive diafasiche nella sottotitolazione giapponese-italiano del lungometraggio “Sayōnara keikoku” di Ōmori Tatsushi

Francesco Vitucci
2019

Abstract

The transfer of a sociocultural universe of a given prototext within a new subtitled context requires a systemic analysis that takes into consideration not only the needs of the linguistic pair, but also the micro-context and polysemiotic analysis of the audiovisual text. In fact, the observation skills that are intrinsic in this mediation process lead the subtitler to develop a visual ability that allows him/her to extrapolate from the iconic channel useful information for a more precise decoding and recoding of the semantic contents. This study presents the analysis of a small corpus of interlinguistic subtitles for the Japanese movie Sayōnara keikoku (Ōmori Tatsushi, 2013) produced by the students of an advanced training course in audiovisual translation with a special focus on the rendition of diaphasic elements in Italian.
2019
Francesco Vitucci
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/683555
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