In Luc Boltanski's On Critique, various dimensions of democracy as a political regime and form of society are evident, but never explicitly conceptualized. There is, however, something to be gained by making the democratic dimension in Boltanski's work more explicit: the normative and political standpoints become clearer, but also the real-life possibilities for and significance of critique in contemporary times. The paper will first discuss the (latent) democratic theory in On Critique by focusing on the differentiation between reality and the world and the conceptualization of institutions. In a second step, I will relate a rather rudimentary democratic theory to the radical-democratic dimensions of the work of Claude Lefort and Cornelius Castoriadis in order to make its contours more explicit. In a third step, I will discuss a tension that exists between the radical-democratic dimension in On Critique and Boltanski's portrayal of contemporary capitalist-democratic societies as largely immune to critique. © 2014, SAGE Publications. All rights reserved.
Blokker, P. (2014). Luc Boltanski and democratic theory: Fragility, auto-nomos, and critique as democracy's end. THESIS ELEVEN, 124(1), 53-70 [10.1177/0725513614549432].
Luc Boltanski and democratic theory: Fragility, auto-nomos, and critique as democracy's end
Blokker, Paul
2014
Abstract
In Luc Boltanski's On Critique, various dimensions of democracy as a political regime and form of society are evident, but never explicitly conceptualized. There is, however, something to be gained by making the democratic dimension in Boltanski's work more explicit: the normative and political standpoints become clearer, but also the real-life possibilities for and significance of critique in contemporary times. The paper will first discuss the (latent) democratic theory in On Critique by focusing on the differentiation between reality and the world and the conceptualization of institutions. In a second step, I will relate a rather rudimentary democratic theory to the radical-democratic dimensions of the work of Claude Lefort and Cornelius Castoriadis in order to make its contours more explicit. In a third step, I will discuss a tension that exists between the radical-democratic dimension in On Critique and Boltanski's portrayal of contemporary capitalist-democratic societies as largely immune to critique. © 2014, SAGE Publications. All rights reserved.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.