This paper argues that contemporary “ecological” and “symmetrical” anthropologies (Latour, Ingold, Descola) challenge semiotics to rethink culture beyond the classical opposition between nature and cultural construction. It proposes to relocate culture in the dynamics of coupling between actors and their milieu, where practice and affordances precede any fully stabilized discursive negotiation, and where the observer’s standpoint must be rethought as one practice among others. The key hypothesis is that semiotic life unfolds through recurrent encounters with environmental disproportions: moments when the implementation space of institutions and practices reaches its limits and the surrounding semiosphere re-enters as indeterminacy, atmospherization, and modal suspension. Disproportion is thus treated not as a deficit but as a generative motor of cultural emancipation, enabling shifts from configurative, restrictive coupling (niches, actantial organization, scenarization) to a denser “gravitational” coupling (permeable, possibilizing, figurative). Writing and enunciation exemplify how culture inhabits disproportion by staging limited means against open-ended worlds and by translating tensions between social and psychic environments into new articulations of sense. The article concludes by reframing communication and narrativity as continuous negotiations of asymmetry and pertinence across heterogeneous levels, and by proposing a stereoscopic (emic/etic) epistemology inspired by Pike to preserve a critical space for the semiotic interpretation of cultures.
Basso, P. (2015). Émancipation et disproportion : pour une problématisation de la notion de culture en sémiotique. Toulouse : Université Jean-Jaurès.
Émancipation et disproportion : pour une problématisation de la notion de culture en sémiotique
Pierluigi Basso Fossali
2015
Abstract
This paper argues that contemporary “ecological” and “symmetrical” anthropologies (Latour, Ingold, Descola) challenge semiotics to rethink culture beyond the classical opposition between nature and cultural construction. It proposes to relocate culture in the dynamics of coupling between actors and their milieu, where practice and affordances precede any fully stabilized discursive negotiation, and where the observer’s standpoint must be rethought as one practice among others. The key hypothesis is that semiotic life unfolds through recurrent encounters with environmental disproportions: moments when the implementation space of institutions and practices reaches its limits and the surrounding semiosphere re-enters as indeterminacy, atmospherization, and modal suspension. Disproportion is thus treated not as a deficit but as a generative motor of cultural emancipation, enabling shifts from configurative, restrictive coupling (niches, actantial organization, scenarization) to a denser “gravitational” coupling (permeable, possibilizing, figurative). Writing and enunciation exemplify how culture inhabits disproportion by staging limited means against open-ended worlds and by translating tensions between social and psychic environments into new articulations of sense. The article concludes by reframing communication and narrativity as continuous negotiations of asymmetry and pertinence across heterogeneous levels, and by proposing a stereoscopic (emic/etic) epistemology inspired by Pike to preserve a critical space for the semiotic interpretation of cultures.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



