The article focuses on the crucial role played by Pier Paolo Pasolini and his cinematic poetics on the Bil - dung process that invests the autofictional character of Anne in Anne Wiazemsky’s romanesque autobio- graphical trilogy. By comparing the characterization of Anne to her roles played in Teorema and Porcile, what emerges is the liberating and disruptive power that Pasolini’s directing had on Wiazemsky.
Seligardi Beatrice (2022). «Odetta! Ho trovato la mia Odetta!». I film di Pier Paolo Pasolini nelle parole di Anne Wiazemsky. ARABESCHI, 20, 393-399.
«Odetta! Ho trovato la mia Odetta!». I film di Pier Paolo Pasolini nelle parole di Anne Wiazemsky
Seligardi Beatrice
2022
Abstract
The article focuses on the crucial role played by Pier Paolo Pasolini and his cinematic poetics on the Bil - dung process that invests the autofictional character of Anne in Anne Wiazemsky’s romanesque autobio- graphical trilogy. By comparing the characterization of Anne to her roles played in Teorema and Porcile, what emerges is the liberating and disruptive power that Pasolini’s directing had on Wiazemsky.File in questo prodotto:
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