A speculative fjord: The global and the planetary in the depiction of Killary Harbour in Notes from a Coma (2005) by Mike McCormack and The Fjord of Killary (2012) by Kevin Barry

The present paper aims at analyzing two works of contemporary Irish fiction, namely, Notes from a Coma (2005) by Mike McCormack and The Fjord of Killary (2012) by Kevin Barry. I argue that both works not only mirror what Dipesh Chakrabarty calls the ‘global’ and the ‘planetary’, but also reflect the non-human space and time scales that Timothy Morton identifies as one of the properties of hyperobjects. Moreover, the two novels are deeply rooted in the history of Ireland, and especially in the semi-peripheral position occupied by the country within the capitalist world system. The intermingling of various narrative layers together with speculative and realistic tropes conveys the epiphenomenality of our lived experience, characterized by the not-yet predictable consequences of planetary climate crisis and the ever-shifting demands of global capitalism.