The Argentina Theater in Roma is a historic theater inaugurated in 1732. By restoration in 1993, the theater returned to the orthodoxy of the Italian opera theater as one of the most important surviving venues. It features a traditional horseshoe shape, and the theater can seat 720 attendees. The impulse response of various key auditory parameters, as outlined by ISO 3382-1, was recorded as per standard requirements. The results of the most crucial acoustic parameters indicate proficient performance in the low frequencies, while shortcomings are observed in the middle and high-frequency bands. Additionally, an innovative acoustic research methodology was employed to demonstrate the direction of sound ray arrival and visualize sound intensity.

Haruna Saito, R.Y. (2024). BEHIND THE AURALIZATION: THE 3D MEASUREMENTS CONDUCTED IN THE ARGENTINA THEATER IN ROME. Wim van Keulen and Jim Kok.

BEHIND THE AURALIZATION: THE 3D MEASUREMENTS CONDUCTED IN THE ARGENTINA THEATER IN ROME

Haruna Saito
;
Ruoran Yan
;
Lamberto Tronchin
Ultimo
2024

Abstract

The Argentina Theater in Roma is a historic theater inaugurated in 1732. By restoration in 1993, the theater returned to the orthodoxy of the Italian opera theater as one of the most important surviving venues. It features a traditional horseshoe shape, and the theater can seat 720 attendees. The impulse response of various key auditory parameters, as outlined by ISO 3382-1, was recorded as per standard requirements. The results of the most crucial acoustic parameters indicate proficient performance in the low frequencies, while shortcomings are observed in the middle and high-frequency bands. Additionally, an innovative acoustic research methodology was employed to demonstrate the direction of sound ray arrival and visualize sound intensity.
2024
Proceedings of the 30th International Congress on Sound and Vibration
1
8
Haruna Saito, R.Y. (2024). BEHIND THE AURALIZATION: THE 3D MEASUREMENTS CONDUCTED IN THE ARGENTINA THEATER IN ROME. Wim van Keulen and Jim Kok.
Haruna Saito, Ruoran Yan, Cobi van Tonder, Alessandro Martinetti, Giacomo Tentoni, Lamberto Tronchin
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/987082
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