CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN

The article proposes a crossover between (photo)journalistic research conducted in Argentina re- garding the death flights by journalist and former disa- ppeared detainee Miriam Lewin and Italian photographer Giancarlo Ceraudo. It examines how these media express the same story from different perspectives, while questio- ning the modes of representation, the problems, and the possibilities posed by Ceraudo’s external view. The text highlights the importance of objects in collective memory through the reflections of Italian philosopher Remo Bodei and how both artists contribute to historical memory and the process of justice. The article reviews the relations- hip between image and word, and the need for comple- mentarity between the two in the narration of traumatic events. Finally, it proposes the incorporation of Ceraudo’s work in relation to various photographic essays produced in Argentina since the year 2000 to show how Ceraudo’s perspective, far from producing a superficial or exoticized approach, manages to open up unprecedented avenues of aesthetic understanding of the phenomenon.