The article proposes a crossover between (photo)journalistic research conducted in Argentina regarding the death flights by journalist and former disappeared detainee Miriam Lewin and Italian photographer Giancarlo Ceraudo. It examines how these media express the same story from different perspectives, while questioning the modes of representation, the problems, and the possibilities posed by Ceraudo’s external view. The text highlights the importance of objects in collective memory through the reflections of Italian philosopher Remo Bodei and how both artists contribute to historical memory and the process of justice. The article reviews the relationship between image and word, and the need for complementarity between the two in the narration of traumatic events. Finally, it proposes the incorporation of Ceraudo’s work in relation to various photographic essays produced in Argentina since the year 2000 to show how Ceraudo’s perspective, far from producing a superficial or exoticized approach, manages to open up unprecedented avenues of aesthetic understanding of the phenomenon.
Balletta, E. (2024). CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN. KAMCHATKA, 23, 551-566.
CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN
Balletta, Edoardo
Primo
2024
Abstract
The article proposes a crossover between (photo)journalistic research conducted in Argentina regarding the death flights by journalist and former disappeared detainee Miriam Lewin and Italian photographer Giancarlo Ceraudo. It examines how these media express the same story from different perspectives, while questioning the modes of representation, the problems, and the possibilities posed by Ceraudo’s external view. The text highlights the importance of objects in collective memory through the reflections of Italian philosopher Remo Bodei and how both artists contribute to historical memory and the process of justice. The article reviews the relationship between image and word, and the need for complementarity between the two in the narration of traumatic events. Finally, it proposes the incorporation of Ceraudo’s work in relation to various photographic essays produced in Argentina since the year 2000 to show how Ceraudo’s perspective, far from producing a superficial or exoticized approach, manages to open up unprecedented avenues of aesthetic understanding of the phenomenon.File | Dimensione | Formato | |
---|---|---|---|
adminojs,+Balletta.pdf
accesso aperto
Tipo:
Versione (PDF) editoriale
Licenza:
Licenza per Accesso Aperto. Creative Commons Attribuzione - Non commerciale (CCBYNC)
Dimensione
225.38 kB
Formato
Adobe PDF
|
225.38 kB | Adobe PDF | Visualizza/Apri |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.