The article proposes a crossover between (photo)journalistic research conducted in Argentina regarding the death flights by journalist and former disappeared detainee Miriam Lewin and Italian photographer Giancarlo Ceraudo. It examines how these media express the same story from different perspectives, while questioning the modes of representation, the problems, and the possibilities posed by Ceraudo’s external view. The text highlights the importance of objects in collective memory through the reflections of Italian philosopher Remo Bodei and how both artists contribute to historical memory and the process of justice. The article reviews the relationship between image and word, and the need for complementarity between the two in the narration of traumatic events. Finally, it proposes the incorporation of Ceraudo’s work in relation to various photographic essays produced in Argentina since the year 2000 to show how Ceraudo’s perspective, far from producing a superficial or exoticized approach, manages to open up unprecedented avenues of aesthetic understanding of the phenomenon.

Balletta, E. (2024). CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN. KAMCHATKA, 23, 551-566.

CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN

Balletta, Edoardo
Primo
2024

Abstract

The article proposes a crossover between (photo)journalistic research conducted in Argentina regarding the death flights by journalist and former disappeared detainee Miriam Lewin and Italian photographer Giancarlo Ceraudo. It examines how these media express the same story from different perspectives, while questioning the modes of representation, the problems, and the possibilities posed by Ceraudo’s external view. The text highlights the importance of objects in collective memory through the reflections of Italian philosopher Remo Bodei and how both artists contribute to historical memory and the process of justice. The article reviews the relationship between image and word, and the need for complementarity between the two in the narration of traumatic events. Finally, it proposes the incorporation of Ceraudo’s work in relation to various photographic essays produced in Argentina since the year 2000 to show how Ceraudo’s perspective, far from producing a superficial or exoticized approach, manages to open up unprecedented avenues of aesthetic understanding of the phenomenon.
2024
Balletta, E. (2024). CRUCES ENTRE FOTOGRAFÍA Y PERIODISMO EN LA ARGENTINA DE LA POSTDICTADURA: UN ACERCAMIENTO A LA OBRA DE GIANCARLO CERAUDO Y MIRIAM LEWIN. KAMCHATKA, 23, 551-566.
Balletta, Edoardo
File in questo prodotto:
File Dimensione Formato  
adminojs,+Balletta.pdf

accesso aperto

Tipo: Versione (PDF) editoriale
Licenza: Licenza per Accesso Aperto. Creative Commons Attribuzione - Non commerciale (CCBYNC)
Dimensione 225.38 kB
Formato Adobe PDF
225.38 kB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/981146
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact