The paper examines the Leopardian materials acquired and preserved by Loris Bononi at the library of the Centro Studi Umanistici Niccolò V in Castiglione del Terziere. The discourse opens by investigating the relationship between Bononi and Leopardi and the possible influences of the latter on the former's writing (both published and unpublished). The analysis of the Leopardi's sections begins with the ‘self-description’ the poet made of himself in a letter to Carlo Pepoli, which is part of this collection. The second part of the essay is devoted to the unpublished manuscripts of Giacomo’s sister, Paolina, and Carlo Leopardi’s wife, Teresa Teja: three letters allowing the reconstruction of the biographical context of two figures who contributed to keeping alive the first-hand memory of Leopardi.
Roberta Priore (2024). Poesia e autobiografia. La sezione leopardiana del Terziere. TECA, 14(9), 327-339.
Poesia e autobiografia. La sezione leopardiana del Terziere
Roberta Priore
2024
Abstract
The paper examines the Leopardian materials acquired and preserved by Loris Bononi at the library of the Centro Studi Umanistici Niccolò V in Castiglione del Terziere. The discourse opens by investigating the relationship between Bononi and Leopardi and the possible influences of the latter on the former's writing (both published and unpublished). The analysis of the Leopardi's sections begins with the ‘self-description’ the poet made of himself in a letter to Carlo Pepoli, which is part of this collection. The second part of the essay is devoted to the unpublished manuscripts of Giacomo’s sister, Paolina, and Carlo Leopardi’s wife, Teresa Teja: three letters allowing the reconstruction of the biographical context of two figures who contributed to keeping alive the first-hand memory of Leopardi.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.