The semantic description of music metadata is a key requirement for the creation of music datasets that can be aligned, integrated, and accessed for information retrieval and knowledge discovery. It is nonetheless an open challenge due to the complexity of musical concepts arising from different genres, styles, and periods – standing to benefit from a lingua franca to accommodate various stakeholders (musicologists, librarians, data engineers, etc.). To initiate this transition, we introduce the Music Meta ontology, a rich and flexible semantic model to describe music metadata related to artists, compositions, performances, recordings, and links. We follow eXtreme Design methodologies and best practices for data engineering, to reflect the perspectives and the requirements of various stakeholders into the design of the model, while leveraging ontology design patterns and accounting for provenance at different levels (claims, links). After presenting the main features of Music Meta, we provide a first evaluation of the model, alignments to other schema (Music Ontology, DOREMUS, Wikidata), and support for data transformation.

De Berardinis, J., Carriero, V., Meroño-Peñuela, A., Poltronieri, A., Presutti, V. (2023). The Music Meta Ontology: A Flexible Semantic Model for the Interoperability of Music Metadata. International Society for Music Information Retrieval (ISMIR) [10.5281/zenodo.10265423].

The Music Meta Ontology: A Flexible Semantic Model for the Interoperability of Music Metadata

Valentina Carriero
Conceptualization
;
Andrea Poltronieri
Methodology
;
Valentina Presutti
Project Administration
2023

Abstract

The semantic description of music metadata is a key requirement for the creation of music datasets that can be aligned, integrated, and accessed for information retrieval and knowledge discovery. It is nonetheless an open challenge due to the complexity of musical concepts arising from different genres, styles, and periods – standing to benefit from a lingua franca to accommodate various stakeholders (musicologists, librarians, data engineers, etc.). To initiate this transition, we introduce the Music Meta ontology, a rich and flexible semantic model to describe music metadata related to artists, compositions, performances, recordings, and links. We follow eXtreme Design methodologies and best practices for data engineering, to reflect the perspectives and the requirements of various stakeholders into the design of the model, while leveraging ontology design patterns and accounting for provenance at different levels (claims, links). After presenting the main features of Music Meta, we provide a first evaluation of the model, alignments to other schema (Music Ontology, DOREMUS, Wikidata), and support for data transformation.
2023
Proceedings of the 24th International Society for Music Information Retrieval Conference
859
867
De Berardinis, J., Carriero, V., Meroño-Peñuela, A., Poltronieri, A., Presutti, V. (2023). The Music Meta Ontology: A Flexible Semantic Model for the Interoperability of Music Metadata. International Society for Music Information Retrieval (ISMIR) [10.5281/zenodo.10265423].
De Berardinis, Jacopo; Carriero, Valentina; Meroño-Peñuela, Albert; Poltronieri, Andrea; Presutti, Valentina
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/969604
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