This short article points out the singularity of Francesco Giullare di Dio (The Flowers of St. Francis, Roberto Rossellini, 1950) as a film that embodies the essence of Rossellini's cinema. It is in fact a film that exalts conscious marginality, here caught in the foolishness of the most non-conformist Franciscanism, seen as a happy point of arrival.
E. Dagrada (2006). Non si può vivere senza Rossellini!. CINEMAZERO NOTIZIE, 6, 5-5.
Non si può vivere senza Rossellini!
E. Dagrada
2006
Abstract
This short article points out the singularity of Francesco Giullare di Dio (The Flowers of St. Francis, Roberto Rossellini, 1950) as a film that embodies the essence of Rossellini's cinema. It is in fact a film that exalts conscious marginality, here caught in the foolishness of the most non-conformist Franciscanism, seen as a happy point of arrival.File in questo prodotto:
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