La favola e l’istante. Gadda e il ”passo” del racconto (note introduttive)

The article offers an initial approach to Carlo Emilio Gadda’s “narrative method”, which is explored starting from the construction of the sentence and then focusing on the writing of the author on a more general level. The analysis takes its start from an acknowledgement of the fragmentary status of Gadda’s narrative form and examines it in light of the opposition between two regimes of the enunciative process: the diegema and the noema.