The essay reconsiders the relationship between the aesthetics and typographic practice of the artist William Morris, finding in some of the political and social options he defined the background against which his aesthetic and critical system is delineated.
GATTI, A. (2007). L’ideale della bellezza diffusa: William Morris tipografo. CRISOPOLI, 12, 173-194.
L’ideale della bellezza diffusa: William Morris tipografo
GATTI, Andrea
2007
Abstract
The essay reconsiders the relationship between the aesthetics and typographic practice of the artist William Morris, finding in some of the political and social options he defined the background against which his aesthetic and critical system is delineated.File in questo prodotto:
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