Featuring 520 works set against 248 paintings, sculptures, jewellery, perfume bottles, ceramics, posters and photographs, the exhibition Shocking! The Surreal Worlds of Elsa Schiaparelli not only manages to affirm Elsa Schiaparelli as one of the most prominent fashion figures in the decades between the two world wars, but it also delivers a reminder on fashion-as-art, a position, on one side firmly distanced from today's globalised, accelerated and hyper-industrialised system of fashion ideation, production and consumption, while on another, implicative of fashion as related to certain privilege, status and class.

Shocking! The Surreal Worlds of Elsa Schiaparelli. Exibition by Olivier Gabet and Marie-Sophie Carron de la Carrière. Museum of Decorative Arts, Paris, July 6, 2022-January 22, 2023 / Nadica Maksimova. - In: ZONEMODA JOURNAL. - ISSN 2611-0563. - ELETTRONICO. - 12:2(2022), pp. 131-137. [10.6092/issn.2611-0563/15815]

Shocking! The Surreal Worlds of Elsa Schiaparelli. Exibition by Olivier Gabet and Marie-Sophie Carron de la Carrière. Museum of Decorative Arts, Paris, July 6, 2022-January 22, 2023

Nadica Maksimova
2022

Abstract

Featuring 520 works set against 248 paintings, sculptures, jewellery, perfume bottles, ceramics, posters and photographs, the exhibition Shocking! The Surreal Worlds of Elsa Schiaparelli not only manages to affirm Elsa Schiaparelli as one of the most prominent fashion figures in the decades between the two world wars, but it also delivers a reminder on fashion-as-art, a position, on one side firmly distanced from today's globalised, accelerated and hyper-industrialised system of fashion ideation, production and consumption, while on another, implicative of fashion as related to certain privilege, status and class.
2022
Shocking! The Surreal Worlds of Elsa Schiaparelli. Exibition by Olivier Gabet and Marie-Sophie Carron de la Carrière. Museum of Decorative Arts, Paris, July 6, 2022-January 22, 2023 / Nadica Maksimova. - In: ZONEMODA JOURNAL. - ISSN 2611-0563. - ELETTRONICO. - 12:2(2022), pp. 131-137. [10.6092/issn.2611-0563/15815]
Nadica Maksimova
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/934800
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