The aim of this essay is to stress the dual nature of Alice Rohrwacher’s films. Looking back to Ernesto De Martino’s work and to his influence on Italian cinema, Rohrwacher updates the analytical tools of the Italian Ethnographic Documentary in order to investigate the Italian contemporary society. At the same time, her films always propose a highly symbolic coming-of-age narrative. I want to argue that Rohrwacher integrates these two different narratives in order to depict a double transition – both of the character and of the environment. Or, perhaps, the transition of the character «through» the transition of the environment.
Fantasmi della Storia. L’impronta del documentario etnografico italiano nel cinema di Alice Rohrwacher / Stefano Guerini Rocco. - In: L'AVVENTURA. - ISSN 2421-6496. - STAMPA. - 1:(2018), pp. 187-201.
Fantasmi della Storia. L’impronta del documentario etnografico italiano nel cinema di Alice Rohrwacher
Stefano Guerini Rocco
2018
Abstract
The aim of this essay is to stress the dual nature of Alice Rohrwacher’s films. Looking back to Ernesto De Martino’s work and to his influence on Italian cinema, Rohrwacher updates the analytical tools of the Italian Ethnographic Documentary in order to investigate the Italian contemporary society. At the same time, her films always propose a highly symbolic coming-of-age narrative. I want to argue that Rohrwacher integrates these two different narratives in order to depict a double transition – both of the character and of the environment. Or, perhaps, the transition of the character «through» the transition of the environment.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.