Structure perception is a fundamental aspect of music cognition in humans. Historically, the hierarchical organization of music into structures served as a narrative device for conveying meaning, creating expectancy, and evoking emotions in the listener. Thereby, musical structures play an essential role in music composition, as they shape the musical discourse through which the composer organises his ideas. In this paper, we present a novel music segmentation method, pitchclass2vec, based on symbolic chord annotations, which are embedded into continuous vector representations using both natural language processing techniques and custom-made encodings. Our algorithm is based on long-short term memory (LSTM) neural network and outperforms the state-of-the-art techniques based on symbolic chord annotations in the field.

Pitchclass2vec: Symbolic Music Structure Segmentation with Chord Embeddings

Nicolas Lazzari
Co-primo
;
Andrea Poltronieri
Co-primo
;
Valentina Presutti
Co-primo
2022

Abstract

Structure perception is a fundamental aspect of music cognition in humans. Historically, the hierarchical organization of music into structures served as a narrative device for conveying meaning, creating expectancy, and evoking emotions in the listener. Thereby, musical structures play an essential role in music composition, as they shape the musical discourse through which the composer organises his ideas. In this paper, we present a novel music segmentation method, pitchclass2vec, based on symbolic chord annotations, which are embedded into continuous vector representations using both natural language processing techniques and custom-made encodings. Our algorithm is based on long-short term memory (LSTM) neural network and outperforms the state-of-the-art techniques based on symbolic chord annotations in the field.
2022
Proceedings of the 1st Workshop on Artificial Intelligence and Creativity co-located with 21th International Conference of the Italian Association for Artificial Intelligence(AIxIA 2022)
14
30
Nicolas Lazzari; Andrea Poltronieri; Valentina Presutti
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/924078
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