The following essay takes the form of commentaries upon the chapters of this volume. Grounded in the rich ethnography and the high quality analysis in these texts, I permit myself a degree of temerity in my interpretations. The commentaries that follow are written from the point of view afforded by my experience of Wayapi villages: from the visual and auditory perspective of a male ethnomusicologist who works closely with the Wayapi women and men of the upper Oyapock, on the frontier between Brazil and (still) French Guiana. I will also suggest several points of comparison based on my brief ethnographic exchanges with the A'uwe-Shavante, Kali'na, Chacobo, and Mashakali.

JEAN-MICHEL BEAUDET, Marc andrew Brightman (2017). Mystery Instruments. Lincoln : University of Nebraska Press [10.2307/j.ctt1df4gz7.19].

Mystery Instruments

Marc andrew Brightman
2017

Abstract

The following essay takes the form of commentaries upon the chapters of this volume. Grounded in the rich ethnography and the high quality analysis in these texts, I permit myself a degree of temerity in my interpretations. The commentaries that follow are written from the point of view afforded by my experience of Wayapi villages: from the visual and auditory perspective of a male ethnomusicologist who works closely with the Wayapi women and men of the upper Oyapock, on the frontier between Brazil and (still) French Guiana. I will also suggest several points of comparison based on my brief ethnographic exchanges with the A'uwe-Shavante, Kali'na, Chacobo, and Mashakali.
2017
Jean Michel Beaudet
Les instruments mystérieux
JEAN-MICHEL BEAUDET, Marc andrew Brightman (2017). Mystery Instruments. Lincoln : University of Nebraska Press [10.2307/j.ctt1df4gz7.19].
JEAN-MICHEL BEAUDET; Marc andrew Brightman
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/908644
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