The first two paragraphs analyse the artist’s Italian graphic style and its change once Nicolò dell’Abate (Modena, 1509 – Paris, 1571), following his transfer to the French court in 1552, meets the artistic circle of the school of Fontainebleau. The last two paragraphs, however, focus on the examination of the preparatory drawings for the Fleury-en-Bière castle, in which Nicolò worked for Cosme Clausse (1553 -1555), and on the analysis of the drawings of the last decade of the artist’s activity (1560-1571).

Pour Nicolò dell’Abate dessinateur : évolutions et dialogues / Giulia Brusori; Melvin Mouton. - In: NOUVELLES DE L'ESTAMPE. - ISSN 0029-4888. - ELETTRONICO. - 268:(2022), pp. 1-24. [10.4000/estampe.3334]

Pour Nicolò dell’Abate dessinateur : évolutions et dialogues

Giulia Brusori
Co-primo
;
2022

Abstract

The first two paragraphs analyse the artist’s Italian graphic style and its change once Nicolò dell’Abate (Modena, 1509 – Paris, 1571), following his transfer to the French court in 1552, meets the artistic circle of the school of Fontainebleau. The last two paragraphs, however, focus on the examination of the preparatory drawings for the Fleury-en-Bière castle, in which Nicolò worked for Cosme Clausse (1553 -1555), and on the analysis of the drawings of the last decade of the artist’s activity (1560-1571).
2022
Pour Nicolò dell’Abate dessinateur : évolutions et dialogues / Giulia Brusori; Melvin Mouton. - In: NOUVELLES DE L'ESTAMPE. - ISSN 0029-4888. - ELETTRONICO. - 268:(2022), pp. 1-24. [10.4000/estampe.3334]
Giulia Brusori; Melvin Mouton
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/907822
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