The Italian Opera theatres are always subject to scientific studies that try to investigate as deeply as possible this historical heritage to preserve the architectural and acoustical information for future generations. This paper deals with two ways of data representations based on the outcomes derived from the variety of equipment used during the measurements. In particular, a methodology in line with standards and regulations has been introduced to representing the graphs of the main acoustical parameters; besides, a video of the real-time room impulse response (RIR) has been snapped with a few shots in place of visualizing the sound reflections that occurred inside the entire volume. After a brief description of the historical background of the Municipal theatre of Piacenza, the authors introduce the two methods just discussed to highlight the completeness of data representation regarding any type of room that is intended to be analyzed acoustically.

E. ARMELLONI, A. FARINA, A. BEVILACQUA, A. FARINA, F. MERLI, L. TRONCHIN (2021). Acoustic parameters of the Municipal Theatre of Piacenza shown on different ways of representation. I.

Acoustic parameters of the Municipal Theatre of Piacenza shown on different ways of representation

A. FARINA;F. MERLI;L. TRONCHIN
2021

Abstract

The Italian Opera theatres are always subject to scientific studies that try to investigate as deeply as possible this historical heritage to preserve the architectural and acoustical information for future generations. This paper deals with two ways of data representations based on the outcomes derived from the variety of equipment used during the measurements. In particular, a methodology in line with standards and regulations has been introduced to representing the graphs of the main acoustical parameters; besides, a video of the real-time room impulse response (RIR) has been snapped with a few shots in place of visualizing the sound reflections that occurred inside the entire volume. After a brief description of the historical background of the Municipal theatre of Piacenza, the authors introduce the two methods just discussed to highlight the completeness of data representation regarding any type of room that is intended to be analyzed acoustically.
2021
Proceedings of IEEE International Conference on Immersive and 3D Audio: From Architecture to Automotive, I3DA 2021
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E. ARMELLONI, A. FARINA, A. BEVILACQUA, A. FARINA, F. MERLI, L. TRONCHIN (2021). Acoustic parameters of the Municipal Theatre of Piacenza shown on different ways of representation. I.
E. ARMELLONI; A. FARINA; A. BEVILACQUA; A. FARINA; F. MERLI; L. TRONCHIN
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/907817
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