Abstract: This work is part of a broader research on the meaning acquired by the mention of simulacra, such as statues, automatons, mannequins, dolls, in Emilia Pardo Bazan’s narrative. On this occasion, the role of dolls in Doña Milagros and La Pepona is especially analysed. In the first, it serves to question the importance of motherhood for the identity of the protagonist; in the second, to criticize the dynamics of the bourgeois family.
Pardo Bazán y los simulacros: las muñecas en “Doña Milagros” y en “La Pepona” / Valentina Nider. - In: RIVISTA DI FILOLOGIA E LETTERATURE ISPANICHE. - ISSN 1591-2922. - STAMPA. - 24:(2021), pp. 145-160.
Pardo Bazán y los simulacros: las muñecas en “Doña Milagros” y en “La Pepona”
Valentina Nider
2021
Abstract
Abstract: This work is part of a broader research on the meaning acquired by the mention of simulacra, such as statues, automatons, mannequins, dolls, in Emilia Pardo Bazan’s narrative. On this occasion, the role of dolls in Doña Milagros and La Pepona is especially analysed. In the first, it serves to question the importance of motherhood for the identity of the protagonist; in the second, to criticize the dynamics of the bourgeois family.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
