A fifteenth-century painted sermon at the door of the cathedral of Bressanone

This article argues that a portion of the fifteenth-century frescos at the entrance door from the cloister to the cathedral of Bressanone can be seen as a painted sermon. The analysis draws on the frescos of two vaults and the interaction between words and images. In the first vault, just above the entrance of the church, the frescos present not only the contents of a sermon, but also its structure, namely an episode from the Gospel, a catechetical pattern, the quotation of auctoritates and a social goal to be achieved. The frescos of the second vault represent the contrast between virtues and vices using the pairs presented in Matthew 24. 40–41. This text was read by the medieval exegetical tradition as a scheme for the different status of Christian life, thus this vault could be seen as an elaborate catechetical pattern with a large system of biblical quotations. Moreover, the structure of the frescos of the second vault can be read as a sermo modernus based on the divisio of Matthew 24. 40–41. Finally, the comparison with a portion of a sermon by Bernardino da Siena on the theme of avarice confirms that the elements represented in Bressanone were really used both by preachers and painters. In this way, the images of the cloister are a sermon, which continually preaches to anyone entering or leaving the church, thus organizing the public space as a 'theatre of memory' and offering a message readable at different levels.