The “Aliens” in Post-Yugoslav Cinema

This research explores how the post-Yugoslav film-makers, in particular Nebojša Slijepčević, Goran Dević, and Srđan Keča, investigate the dilemma of ethnic identity and face the cultural division in the post-conflict societies. The article aims to discuss cinematic representations of the other and conduct a deeper textual analysis of the film Srbenka (2018), in comparison to After the War (2006) and Imported Crows (2004). Also, the article bridges the gap between more conceptual literature on transnational cinema (Stephen Crofts, Steven Rawle, Saša Vojković), nationalism studies (Benedict Anderson, Rogers Brubaker, V.P. (Chip) Gagnon Jr.), as well as history (Tara Zahra) and more empirical analysis providing examples from the contemporary post-Yugoslav cinema. Therefore, the article demonstrates how applying theories from different disciplines enrich film analysis when investigating the otherness.