This article presents our experience in digitizing a Late Antique sarcophagus using and combining two different recording methods: Structure from Motion (SfM) and Structured Light Scanning. Due to preservation purposes, it was necessary to obtain a reliable 3D digital reproduction of the artifact to perform observations, measurements, and produce graphic layouts for possible forthcoming restorations. The employment of two recording techniques (hardware + software) was necessary to overcome some loss of data that were registered during the acquisition phase. Each method showed some failure in detecting or processing portions of the object surface, mainly due to the mechanical properties of the material (marble) on which the sarcophagus is made.
The 3D recording of the so-called Spreti sarcophagus in the Basilica of San Vitale (Ravenna, Italy)
Greta Ugolotti;Federica Collina;Simone Zambruno;Marco Cornaglia;Alessandro Iannucci;
2022
Abstract
This article presents our experience in digitizing a Late Antique sarcophagus using and combining two different recording methods: Structure from Motion (SfM) and Structured Light Scanning. Due to preservation purposes, it was necessary to obtain a reliable 3D digital reproduction of the artifact to perform observations, measurements, and produce graphic layouts for possible forthcoming restorations. The employment of two recording techniques (hardware + software) was necessary to overcome some loss of data that were registered during the acquisition phase. Each method showed some failure in detecting or processing portions of the object surface, mainly due to the mechanical properties of the material (marble) on which the sarcophagus is made.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
