The article represents a first exploration of what can be defined the Lenten sermon collection of Aeneas, a text held in an incomplete form in Assisi, Biblioteca del Sacro Convento, Fondo Antico, ms. 557. The Lenten cycle is an early testimony of a new typology of sermon collection, which was framed as a macro-narrative. The Virgilian sermon collection follows closely the description of Aeneas’ descent to the Underworld by reinterpreting Virgil’s account according to a moral-allegorical exegesis, which allows to align it (reducere) to the Gospel. By using extensively the reference to Virgil in preaching the Christian afterlife, the preacher presented his audience with a hellish, didactic Aeneid, apt to the pulpit and further enriched by references to Dante’s Commedia. The study of this exceptional text, therefore, sheds light on the innovations in religious communication developed between late fourteenth and early fifteenth century as well as on the parallel debates about the use of ‘pagan’ poets in Christian paideia.
L’articolo costituisce la prima esplorazione di quello che proponiamo di chiamare Quaresimale di Enea, un testo conservato in forma incompleta in Assisi, Biblioteca del Sacro Convento, Fondo Antico, ms. 557. Il quaresimale costituisce una precoce attestazione di una nuova tipologia di sermonari costruiti come un unico macro-racconto. I suoi sermoni seguono infatti passo a passo la discesa agli inferi di Enea, rileggendo il racconto di Virgilio in chiave allegorico-morale, così da ricondurlo (reducere) al Vangelo. Rendendo strutturale il riferimento a Virgilio nella predicazione dell’aldilà cristiano, agli ascoltatori era presentata un’Eneide infernale, didattica, ad usum pulpiti, ulteriormente arricchita dall’intreccio con i rimandi alla Commedia di Dante. Lo studio di questo sorprendente quaresimale virgiliano contribuisce così a illuminare sia le sperimentazioni in atto nella comunicazione religiosa tra fine Trecento e inizio Quattrocento sia i concomitanti dibattiti sull’utilizzo della poesia ‘pagana’ nella paideia cristiana.
Delcorno, P. (2019). Enea, la Sibilla e Dante: primi appunti su un quaresimale virgiliano. CAHIERS D'ÉTUDES ITALIENNES, 29, 1-18 [10.4000/cei.5706].
Enea, la Sibilla e Dante: primi appunti su un quaresimale virgiliano
Delcorno, Pietro
2019
Abstract
The article represents a first exploration of what can be defined the Lenten sermon collection of Aeneas, a text held in an incomplete form in Assisi, Biblioteca del Sacro Convento, Fondo Antico, ms. 557. The Lenten cycle is an early testimony of a new typology of sermon collection, which was framed as a macro-narrative. The Virgilian sermon collection follows closely the description of Aeneas’ descent to the Underworld by reinterpreting Virgil’s account according to a moral-allegorical exegesis, which allows to align it (reducere) to the Gospel. By using extensively the reference to Virgil in preaching the Christian afterlife, the preacher presented his audience with a hellish, didactic Aeneid, apt to the pulpit and further enriched by references to Dante’s Commedia. The study of this exceptional text, therefore, sheds light on the innovations in religious communication developed between late fourteenth and early fifteenth century as well as on the parallel debates about the use of ‘pagan’ poets in Christian paideia.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.