The reverse contrast is a perceptual phenomenon in which the effect of the classical simultaneous lightness contrast is reversed. In classic simultaneous lightness contrast configurations, a gray surrounded by black is perceived lighter than an identical gray surrounded by white, but in the reverse contrast configurations, the perceptual outcome is the opposite: a gray surrounded by black appears darker than the same gray surrounded by white. The explanation provided for the reverse contrast (by different authors) is the belongingness of the gray targets to a more complex configuration. Different configurations show the occurrence of these phenomena; however, the factors determining this effect are not always the same. In particular, some configurations are based on both belongingness and assimilation, while one configuration is based only on belongingness. The evidence that different factors determine the reverse contrast is crucial for future research dealing with achromatic color perception and, in particular, with lightness induction phenomena.

Tiziano Agostini, Mauro Murgia, Fabrizio Sors, Valter Prpic, Alessandra Galmonte (2020). Contrasting a misinterpretation of the reverse contrast. VISION, 4(4), 1-6 [10.3390/vision4040047].

Contrasting a misinterpretation of the reverse contrast

Tiziano Agostini;Valter Prpic;
2020

Abstract

The reverse contrast is a perceptual phenomenon in which the effect of the classical simultaneous lightness contrast is reversed. In classic simultaneous lightness contrast configurations, a gray surrounded by black is perceived lighter than an identical gray surrounded by white, but in the reverse contrast configurations, the perceptual outcome is the opposite: a gray surrounded by black appears darker than the same gray surrounded by white. The explanation provided for the reverse contrast (by different authors) is the belongingness of the gray targets to a more complex configuration. Different configurations show the occurrence of these phenomena; however, the factors determining this effect are not always the same. In particular, some configurations are based on both belongingness and assimilation, while one configuration is based only on belongingness. The evidence that different factors determine the reverse contrast is crucial for future research dealing with achromatic color perception and, in particular, with lightness induction phenomena.
2020
Tiziano Agostini, Mauro Murgia, Fabrizio Sors, Valter Prpic, Alessandra Galmonte (2020). Contrasting a misinterpretation of the reverse contrast. VISION, 4(4), 1-6 [10.3390/vision4040047].
Tiziano Agostini; Mauro Murgia; Fabrizio Sors; Valter Prpic; Alessandra Galmonte
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/860347
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