This paper addresses the lack of published work on the preservation of digital materials within European film heritage institutions (FHIs). In the long-term, technological change might have relevant consequences, on the sustainability of film preservation, affecting the ability to write film history and experience cultural memories. Although there is general awareness of the complexity and the cost of maintenance of digital preservation infrastructures, we have little knowledge of what specifically film heritage institutions are doing to address these challenges. Based on elite interviews with leading film archivists and analysis of relevant policy documents, this paper shows that FHIs are actively engaging with technological and institutional change and implementing valuable initiatives. However, this paper confirms that, roughly 10 years since the widespread of digital cinema distribution, FHIs are generally still striving to provide long-term sustainable and trustworthy solutions to safeguard the digital materials that they are acquiring or creating via digitisation. Although some institutions have built fairly reliable infrastructures, problems still arise from the instability of the information technology sector and from its persistent strategies of planned obsolescence.
Antoniazzi L. (2021). Digital Preservation and the Sustainability of Film Heritage. INFORMATION, COMMUNICATION & SOCIETY, 24(11), 1658-1673 [10.1080/1369118X.2020.1716042].
Digital Preservation and the Sustainability of Film Heritage
Antoniazzi L.
2021
Abstract
This paper addresses the lack of published work on the preservation of digital materials within European film heritage institutions (FHIs). In the long-term, technological change might have relevant consequences, on the sustainability of film preservation, affecting the ability to write film history and experience cultural memories. Although there is general awareness of the complexity and the cost of maintenance of digital preservation infrastructures, we have little knowledge of what specifically film heritage institutions are doing to address these challenges. Based on elite interviews with leading film archivists and analysis of relevant policy documents, this paper shows that FHIs are actively engaging with technological and institutional change and implementing valuable initiatives. However, this paper confirms that, roughly 10 years since the widespread of digital cinema distribution, FHIs are generally still striving to provide long-term sustainable and trustworthy solutions to safeguard the digital materials that they are acquiring or creating via digitisation. Although some institutions have built fairly reliable infrastructures, problems still arise from the instability of the information technology sector and from its persistent strategies of planned obsolescence.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.