Verlaine's poetry from 1874 demonstrates a peculiar relationship between the narrator and his environment that emerges in the 'Ariettes oubliées' section of 'Romances sans paroles'. Marked by the loss of an affinity between nature and humanity, Ariettes II, IV, V, and VII offer fruitful ground for ecocritical analysis of Nature's alterity regarding the formation of poetic values. This article considers the relationship between key ecological concepts and prosody in order to offer an ecopoetic perspective on tensions between humanity and Nature towards the end of the nineteenth century.

Finch-Race D.A. (2015). L'Altérité de la nature chez Verlaine dans les 'Ariettes oubliées' II, IV, V, et VII. DIX-NEUF, 19(3), 187-198 [10.1179/1478731815Z.00000000075].

L'Altérité de la nature chez Verlaine dans les 'Ariettes oubliées' II, IV, V, et VII

Finch-Race D. A.
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Writing – Original Draft Preparation
2015

Abstract

Verlaine's poetry from 1874 demonstrates a peculiar relationship between the narrator and his environment that emerges in the 'Ariettes oubliées' section of 'Romances sans paroles'. Marked by the loss of an affinity between nature and humanity, Ariettes II, IV, V, and VII offer fruitful ground for ecocritical analysis of Nature's alterity regarding the formation of poetic values. This article considers the relationship between key ecological concepts and prosody in order to offer an ecopoetic perspective on tensions between humanity and Nature towards the end of the nineteenth century.
2015
Finch-Race D.A. (2015). L'Altérité de la nature chez Verlaine dans les 'Ariettes oubliées' II, IV, V, et VII. DIX-NEUF, 19(3), 187-198 [10.1179/1478731815Z.00000000075].
Finch-Race D.A.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/852661
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