This article examines the earliest attestations of writing on Crete at the beginning of the second millennium BCE, the so-called ‘Archanes formula’. The aim is to reassess its origin, purpose, significance and ‘reading’ through a multi-step analysis taking in details of palaeography, correlations with iconographic seal motifs, and material culture. Key issues are considered, namely the extent to which is it comparable with the Linear A ‘libation formula’ a-sa-sa-ra-me, or, conversely, whether it should be singled out as a separate writing tradition. To address these questions, the ‘Archanes formula’ is brought under close scrutiny, vis-à-vis the graphic repertoires of Cretan Hieroglyphic and, in parallel, Linear A. Our conclusions point towards a strong connection with the Cretan Hieroglyphic milieu, in terms of sign shapes and direct links to seal imagery. In this light, the earliest writing in the Aegean is revisited not so much as a script in itself, nor as a prequel to Linear A religious sequences, but as a direct manifestation of the iconic glyptic practices of the Hieroglyphic tradition.
Silvia Ferrara, B.M. (2021). What is the ‘Archanes Formula’? Deconstructing and Reconstructing the Earliest Attestation of Writing in the Aegean. THE ANNUAL OF THE BRITISH SCHOOL AT ATHENS, 116, 43-62 [10.1017/S0068245420000155].
What is the ‘Archanes Formula’? Deconstructing and Reconstructing the Earliest Attestation of Writing in the Aegean
Silvia Ferrara
;Barbara Montecchi;Miguel Valério
2021
Abstract
This article examines the earliest attestations of writing on Crete at the beginning of the second millennium BCE, the so-called ‘Archanes formula’. The aim is to reassess its origin, purpose, significance and ‘reading’ through a multi-step analysis taking in details of palaeography, correlations with iconographic seal motifs, and material culture. Key issues are considered, namely the extent to which is it comparable with the Linear A ‘libation formula’ a-sa-sa-ra-me, or, conversely, whether it should be singled out as a separate writing tradition. To address these questions, the ‘Archanes formula’ is brought under close scrutiny, vis-à-vis the graphic repertoires of Cretan Hieroglyphic and, in parallel, Linear A. Our conclusions point towards a strong connection with the Cretan Hieroglyphic milieu, in terms of sign shapes and direct links to seal imagery. In this light, the earliest writing in the Aegean is revisited not so much as a script in itself, nor as a prequel to Linear A religious sequences, but as a direct manifestation of the iconic glyptic practices of the Hieroglyphic tradition.File | Dimensione | Formato | |
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