On the symbolic role assumed by mythical musicians (e.g. Marsyas, Olympus, Orpheus, Thamyris) in the debate on music in the second half of the fifth century BC, with particular attention to them in the fragments of New Musicians (Melanipp. PMG 758 and 766, Tim. PMG 791.221–4, Telest. PMG 805 and 806). Timotheus and the other exponents of the New Music tried to construct distant and authoritative models for their way of making music by projecting back onto those ancient ‘colleagues’ key features of their style, namely poikilia, inventiveness and virtuosity.
Ancient models for the new musicians / Ercoles Marco. - In: GREEK AND ROMAN MUSICAL STUDIES. - ISSN 2212-974X. - ELETTRONICO. - 9:2(2021), pp. 258-270. [10.1163/22129758-bja10024]
Ancient models for the new musicians
Ercoles Marco
2021
Abstract
On the symbolic role assumed by mythical musicians (e.g. Marsyas, Olympus, Orpheus, Thamyris) in the debate on music in the second half of the fifth century BC, with particular attention to them in the fragments of New Musicians (Melanipp. PMG 758 and 766, Tim. PMG 791.221–4, Telest. PMG 805 and 806). Timotheus and the other exponents of the New Music tried to construct distant and authoritative models for their way of making music by projecting back onto those ancient ‘colleagues’ key features of their style, namely poikilia, inventiveness and virtuosity.| File | Dimensione | Formato | |
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