This paper presents the relationship between Miyazawa Kenji and Italian culture through a comparative study of ‘Ginga tetsudo no yoru’ and Divina commedia. It highlights the many similarities between the two works and attempt to clarify if Miyazawa kenji could be influenced bt Divina Commedia through an analysis of the diffusion of this book during the Meiji (1868-1912) and Taisho period (1912-1926).
Miyazawa Kenji to Italia Bunka: ‘Ginga tetsudo no yoru’ to ‘Shinkyoku’” (Miyazawa Kenji and Italian Culture-A comparative Study of Ginga tetsudo no yoru and Divina Commedia) / Tisi Maria Elena. - In: SHIRAYURI JOSHI DAIGAKU JIDO BUNKA KENKYU SENTA KENKYU ROMBUNSHU. - ISSN 1345-5338. - STAMPA. - 7:(2003), pp. 43-57.
Miyazawa Kenji to Italia Bunka: ‘Ginga tetsudo no yoru’ to ‘Shinkyoku’” (Miyazawa Kenji and Italian Culture-A comparative Study of Ginga tetsudo no yoru and Divina Commedia).
Tisi Maria Elena
2003
Abstract
This paper presents the relationship between Miyazawa Kenji and Italian culture through a comparative study of ‘Ginga tetsudo no yoru’ and Divina commedia. It highlights the many similarities between the two works and attempt to clarify if Miyazawa kenji could be influenced bt Divina Commedia through an analysis of the diffusion of this book during the Meiji (1868-1912) and Taisho period (1912-1926).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
