In this essay I will contend that a significant turn has occurred during the Sixties, ending up in the establishment of what I will refer in the article as the «testimonial paradigm»: that is, the set of textual devices that structures a variety of codes and genres in the contemporary aesthetic production. In the first part, I will go through the historical events that triggered the turn: the Eichmann trial, Wiesel’s famous claim on the Holocaust and May 1968. In the second part, I will examine the mechanisms that govern the action of the testimonial paradigm: the narrative situation set by the author, the contract signed with the reader and the pragmatic register that results from the former two.

In principio fu il testimone: sulle recenti contaminazioni tra letteratura e storia

Andrea Suverato
2021

Abstract

In this essay I will contend that a significant turn has occurred during the Sixties, ending up in the establishment of what I will refer in the article as the «testimonial paradigm»: that is, the set of textual devices that structures a variety of codes and genres in the contemporary aesthetic production. In the first part, I will go through the historical events that triggered the turn: the Eichmann trial, Wiesel’s famous claim on the Holocaust and May 1968. In the second part, I will examine the mechanisms that govern the action of the testimonial paradigm: the narrative situation set by the author, the contract signed with the reader and the pragmatic register that results from the former two.
2021
Le costanti e le varianti. Letteratura e lunga durata
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Andrea Suverato
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/806679
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