Este ensaio analisa o potencial crítico do romance As Naus, de António Lobo Antunes, através da reflexão sobre o delírio como estratégia divergente de construção narrativa. Partindo do fim trágico do colonialismo português em África, a narração inverte a polaridade da viagem de exploração descrevendo a trajectória dos ex-colónos como momento anti-épico. As imagens oníricas condensam a natureza esquizofrénica do retornado, citação paradoxal dos heróis da aventura colonial e sujeito castrado na impossibilidade de assumir o papel testemunhal sobre a memória da perda. A palavra “delira” e denuncia um presente onde os fantasmas imperiais continuam a atormentar a consciência nacional, pois Portugal ainda parece incapaz de reconhecer os traços daquele passado colonial no seu próprio rosto desfigurado
This essay analyses the critical potential of António Lobo Antunes’s As Naus by focusing on delirium as a divergent strategy of writing construction. Starting from the tragic end of Portuguese colonialism in Africa, the narration reverses the polarity of the former colonizers’ exploratory journey, turning it into an anti-epic trajectory. The hallucinatory images summarise the schizophrenic nature of the retornado as a paradoxical quotation of the heroes of the colonial venture, but also as a castrated subject unable to testify to the memory of the loss. Words “rave" and denounce a present reality where imperial ghosts keep haunting the national conscience, given that Portugal still seems incapable of recognising the scars of that colonial past on its own disfigured face.
Bentes Saldanha Pereira, R. (2020). Paths of Delirium. Postcolonial retorno in As Naus. SANTA BARBARA PORTUGUESE STUDIES, VI, 142-158.
Paths of Delirium. Postcolonial retorno in As Naus
Bentes Saldanha Pereira, Rebecca
2020
Abstract
This essay analyses the critical potential of António Lobo Antunes’s As Naus by focusing on delirium as a divergent strategy of writing construction. Starting from the tragic end of Portuguese colonialism in Africa, the narration reverses the polarity of the former colonizers’ exploratory journey, turning it into an anti-epic trajectory. The hallucinatory images summarise the schizophrenic nature of the retornado as a paradoxical quotation of the heroes of the colonial venture, but also as a castrated subject unable to testify to the memory of the loss. Words “rave" and denounce a present reality where imperial ghosts keep haunting the national conscience, given that Portugal still seems incapable of recognising the scars of that colonial past on its own disfigured face.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


