This essay tries to elaborate a criteria for recognizing different forms of moral responsibility within the context of societies which have been shown guilty of collective macro-crimes. Referring to new cruel manifestations of violence supported, indirectly or directly, by German society during Nazism, it defines the concept of responsibility based around two fundamental elements: its relationship with personal autonomy and its intrinsic relational character.
Marina Lalatta Costerbosa (2020). Il teatro delle complicità. Sul consenso sociale in epoca nazista. LA SOCIETÀ DEGLI INDIVIDUI, 23(69/3), 26-40 [10.3280/LAS2020-069003].
Il teatro delle complicità. Sul consenso sociale in epoca nazista
Marina Lalatta Costerbosa
2020
Abstract
This essay tries to elaborate a criteria for recognizing different forms of moral responsibility within the context of societies which have been shown guilty of collective macro-crimes. Referring to new cruel manifestations of violence supported, indirectly or directly, by German society during Nazism, it defines the concept of responsibility based around two fundamental elements: its relationship with personal autonomy and its intrinsic relational character.| File | Dimensione | Formato | |
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