In 2014,an SMPTE report stated that sound consistency between dubbing stages and performance venues was not respected. SMPTE technical commission studied this issue in 3 commercial cinemasand 3 dubbing stages in Hollywood using the impulse response method. This lack in sound consistency isprobablyimputable to the useof a wrong calibration system (RTA + Pink Noise Method) that is time-blind and does not mimicthe perceptual listening of the human being.A campaign of measurements has been conducted in Rome to test the acousticpropertiesof a dubbing stage room and a cinemaperformanceroom.Two measurement systems were implemented: One for the extraction of ISO 3382 parameters (Omni, Binaural, Soundfield) and one for studying the spatial distribution of sound in the room (EigenmikeTM).
Tronchin, L., Scaroni, N. (2020). Cinema Sound: Characteristics and 3D Acoustic Measurements. IOP Publishing Ltd [10.1088/1742-6596/1655/1/012079].
Cinema Sound: Characteristics and 3D Acoustic Measurements
Tronchin, L
Methodology
;
2020
Abstract
In 2014,an SMPTE report stated that sound consistency between dubbing stages and performance venues was not respected. SMPTE technical commission studied this issue in 3 commercial cinemasand 3 dubbing stages in Hollywood using the impulse response method. This lack in sound consistency isprobablyimputable to the useof a wrong calibration system (RTA + Pink Noise Method) that is time-blind and does not mimicthe perceptual listening of the human being.A campaign of measurements has been conducted in Rome to test the acousticpropertiesof a dubbing stage room and a cinemaperformanceroom.Two measurement systems were implemented: One for the extraction of ISO 3382 parameters (Omni, Binaural, Soundfield) and one for studying the spatial distribution of sound in the room (EigenmikeTM).File | Dimensione | Formato | |
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