In this text, the Japanese composer highlights the elements that guide his research around the sound. In particular, he focuses on the acoustic implications of “resonance”, the principle through which he operates on the matter of sound. Besides, he takes into consideration the works developed with the artist Shiro Takatani, with whom he has created hybrid works between installation and theatre.
E. Pitozzi, G.B. (2018). THE SOUND PERCEPTION. CULTURE TEATRALI, 27, 52-57.
THE SOUND PERCEPTION.
E. Pitozzi
;
2018
Abstract
In this text, the Japanese composer highlights the elements that guide his research around the sound. In particular, he focuses on the acoustic implications of “resonance”, the principle through which he operates on the matter of sound. Besides, he takes into consideration the works developed with the artist Shiro Takatani, with whom he has created hybrid works between installation and theatre.File in questo prodotto:
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