In the current media scene, the TV series are a flagship product. They tell exciting stories, following a cinematic logic (Mittell 2015) and attract an ever wider audience. In some cases a not well defined temporality is called into question, a sort of near future, often accompanied by a dystopic view of events within that interpretative/definitive framework defined as «speculative fiction» (Thomas 2013) and which sometimes leads to a reading of the real. The Handmaid’s Tale (Hulu 2017-) falls perfectly in this climate: it explores the themes of the submission of women and the ways used by a political regime to enslave the female body and its reproductive functions. Through a study based on online discussions and articles published by the media, the uses that certain groups of audiences have made of this TV series emerge, starting from its broadcast in the spring of 2017. The red uniforms used in the series are quickly became the cultural symbol of a female resistance scattered throughout the world.

antonella mascio (2020). Between Fiction and Reality. The Handmaid’s Tale Uniform as a Cultural Icon - Fra fiction e realtà. L’uniforme di The Handmaid’s Tale come icona culturale. OCULA, 21(22), 239-265 [10.12977/ocula2020-18].

Between Fiction and Reality. The Handmaid’s Tale Uniform as a Cultural Icon - Fra fiction e realtà. L’uniforme di The Handmaid’s Tale come icona culturale

antonella mascio
2020

Abstract

In the current media scene, the TV series are a flagship product. They tell exciting stories, following a cinematic logic (Mittell 2015) and attract an ever wider audience. In some cases a not well defined temporality is called into question, a sort of near future, often accompanied by a dystopic view of events within that interpretative/definitive framework defined as «speculative fiction» (Thomas 2013) and which sometimes leads to a reading of the real. The Handmaid’s Tale (Hulu 2017-) falls perfectly in this climate: it explores the themes of the submission of women and the ways used by a political regime to enslave the female body and its reproductive functions. Through a study based on online discussions and articles published by the media, the uses that certain groups of audiences have made of this TV series emerge, starting from its broadcast in the spring of 2017. The red uniforms used in the series are quickly became the cultural symbol of a female resistance scattered throughout the world.
2020
antonella mascio (2020). Between Fiction and Reality. The Handmaid’s Tale Uniform as a Cultural Icon - Fra fiction e realtà. L’uniforme di The Handmaid’s Tale come icona culturale. OCULA, 21(22), 239-265 [10.12977/ocula2020-18].
antonella mascio
File in questo prodotto:
File Dimensione Formato  
OCULA-22-MASCIO-Fra-fiction-e-realta.pdf

accesso aperto

Descrizione: Articolo in rivista
Tipo: Versione (PDF) editoriale
Licenza: Licenza per Accesso Aperto. Creative Commons Attribuzione - Non commerciale - Non opere derivate (CCBYNCND)
Dimensione 2.66 MB
Formato Adobe PDF
2.66 MB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/759917
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact