The realization that utopia had been commodified and domesticated has led some critics to work primarily on dystopia and argue that the utopian impulse can be maintained in dystopias. However, we are witnessing today an appropriation and a commodification of dystopia as well. This paper explores this appropriation (in fiction, in social media, and in fashion) and claims that the recognition of the precarity of hope is what may still help us today to renovate the discourse on utopia.

'Hope isn't stupid': The Appropriation of Dystopia

Raffaella Baccolini
2020

Abstract

The realization that utopia had been commodified and domesticated has led some critics to work primarily on dystopia and argue that the utopian impulse can be maintained in dystopias. However, we are witnessing today an appropriation and a commodification of dystopia as well. This paper explores this appropriation (in fiction, in social media, and in fashion) and claims that the recognition of the precarity of hope is what may still help us today to renovate the discourse on utopia.
2020
Raffaella Baccolini
File in questo prodotto:
File Dimensione Formato  
5 baccolini.pdf

accesso aperto

Tipo: Versione (PDF) editoriale
Licenza: Licenza per accesso libero gratuito
Dimensione 656.77 kB
Formato Adobe PDF
656.77 kB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/731082
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact