Recent archaeological investigations carried out over the last number of years by the Ostia Marina Project have led to the discovery of a building dating to the third century AD, which was well integrated into the context of the thermal district overlooking the sea outside the city walls of ancient Ostia. The building, called “The Caupona of the God Pan” due to the subject depicted in the mosaic floor of the main hall (Pan fighting with Eros), had elegant walls frescoed in linear style. This decoration was subsequently covered over by new frescoes during the fourth century AD, which imitated marble inlays. There is also evidence for the collapse of the building, which most likely took place during the fifth century AD. The pictorial decoration of the ceiling of one of the rooms of the building (a sort of special entrance) containing geometrical patterns and gorgons at the corners, was found broken into many pieces on the floor. Thanks to the excavation technique employed, by which the position of each fragment was recorded, it has been possible to reconstruct the entire ceiling. This reconstruction is the product of a jigsaw work of more than 700 fragments of plaster.

Le gorgoni alla porta. Ricostruzione e interpretazione di un soffitto dipinto in Stile Lineare rinvenuto in crollo nella Caupona del dio Pan a Ostia antica / M. David, S. De Togni, M.S. Graziano. - STAMPA. - (2019), pp. 77-86. (Intervento presentato al convegno Pitture frammentarie di epoca romana da Roma e dal Lazio tenutosi a Roma nel 2018).

Le gorgoni alla porta. Ricostruzione e interpretazione di un soffitto dipinto in Stile Lineare rinvenuto in crollo nella Caupona del dio Pan a Ostia antica

M. David;S. De Togni;
2019

Abstract

Recent archaeological investigations carried out over the last number of years by the Ostia Marina Project have led to the discovery of a building dating to the third century AD, which was well integrated into the context of the thermal district overlooking the sea outside the city walls of ancient Ostia. The building, called “The Caupona of the God Pan” due to the subject depicted in the mosaic floor of the main hall (Pan fighting with Eros), had elegant walls frescoed in linear style. This decoration was subsequently covered over by new frescoes during the fourth century AD, which imitated marble inlays. There is also evidence for the collapse of the building, which most likely took place during the fifth century AD. The pictorial decoration of the ceiling of one of the rooms of the building (a sort of special entrance) containing geometrical patterns and gorgons at the corners, was found broken into many pieces on the floor. Thanks to the excavation technique employed, by which the position of each fragment was recorded, it has been possible to reconstruct the entire ceiling. This reconstruction is the product of a jigsaw work of more than 700 fragments of plaster.
2019
Pitture frammentarie di epoca romana da Roma e dal Lazio. Nuove ricerche
77
86
Le gorgoni alla porta. Ricostruzione e interpretazione di un soffitto dipinto in Stile Lineare rinvenuto in crollo nella Caupona del dio Pan a Ostia antica / M. David, S. De Togni, M.S. Graziano. - STAMPA. - (2019), pp. 77-86. (Intervento presentato al convegno Pitture frammentarie di epoca romana da Roma e dal Lazio tenutosi a Roma nel 2018).
M. David, S. De Togni, M.S. Graziano
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/727070
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