The ‘making’ of fashion cannot merely refer to garment production and manufacturing. It is the prerequisite for a nation to actively participate in the global stage. To establish a ‘recognisable’ fashion image, a country must go far beyond the competition of a specialised garment and textile industry. Being recognised as the ‘author countries’ for fashion creation is part of a process in which the (re)negotiation of national hierarchies and roles are constantly at play. For a country or a city, expressing an instantly recognisable aesthetic has become an important corollary to communicate political and economic strength.
Ling, W., Segre Reinach, S.M. (2019). Fashion-Making and Co-Creation in the Transglobal Landscape: Sino-Italian Fashion as Method. MODERN ITALY, 24(4), 401-415 [10.1017/mit.2019.59].
Fashion-Making and Co-Creation in the Transglobal Landscape: Sino-Italian Fashion as Method
Segre Reinach, Simona Maria
2019
Abstract
The ‘making’ of fashion cannot merely refer to garment production and manufacturing. It is the prerequisite for a nation to actively participate in the global stage. To establish a ‘recognisable’ fashion image, a country must go far beyond the competition of a specialised garment and textile industry. Being recognised as the ‘author countries’ for fashion creation is part of a process in which the (re)negotiation of national hierarchies and roles are constantly at play. For a country or a city, expressing an instantly recognisable aesthetic has become an important corollary to communicate political and economic strength.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
