The article aims at reinterpreting the generic theory developed by Todorov throughout Introduction à la littérature fantastique, Typologie du roman policier and L’origine des genres. Anticipating further developments of cognitive narratology, Todorov’s categories can nowadays be fully operational for new research in genre studies. Introduction à la littérature fantastique suggests that the empathic relation between character and reader might constitute a zero degree of generic experience for the latter. By structuring along the plot, the recurring, empathic relation develops into models comparable to intertextual scripts underpinned by the same speech act. Every pragmatic macro-sequence being reduced to larger units of meaning, the reader can identify the generic recurrence of the speech act by inference. This permits to revisit the institutional concept of narrative genre from an experiential perspective: forms and modes of enunciation define the quality of the empathic relation between character and reader, while themes guarantee for the semantic recurrence of the fictional worlds where the empathic relation is set.
Michele Morselli (2018). Lire l'hésitation: vers l'expérience cognitive du genre narratif. SUITE FRANÇAISE, 1, 63-76 [10.13131/2611-9757.SUITEFRANCAISE.N1.4].
Lire l'hésitation: vers l'expérience cognitive du genre narratif
MORSELLI, MICHELE
2018
Abstract
The article aims at reinterpreting the generic theory developed by Todorov throughout Introduction à la littérature fantastique, Typologie du roman policier and L’origine des genres. Anticipating further developments of cognitive narratology, Todorov’s categories can nowadays be fully operational for new research in genre studies. Introduction à la littérature fantastique suggests that the empathic relation between character and reader might constitute a zero degree of generic experience for the latter. By structuring along the plot, the recurring, empathic relation develops into models comparable to intertextual scripts underpinned by the same speech act. Every pragmatic macro-sequence being reduced to larger units of meaning, the reader can identify the generic recurrence of the speech act by inference. This permits to revisit the institutional concept of narrative genre from an experiential perspective: forms and modes of enunciation define the quality of the empathic relation between character and reader, while themes guarantee for the semantic recurrence of the fictional worlds where the empathic relation is set.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.