The aim of this paper is to bring Alejandro Amenábar’s Agora into a wider reflection on the reason why contemporary cinema often turns to ancient history and myth, in a broad sense, with a particular focus on the promises of visibility that the narratives of the Ancient World seem to make to the cinema.
«E i mondi ancora si volgono sotto i suoi piedi bianchi». Ipazia e Agora di Alejandro Amenábar
AVEZZU' G
2010
Abstract
The aim of this paper is to bring Alejandro Amenábar’s Agora into a wider reflection on the reason why contemporary cinema often turns to ancient history and myth, in a broad sense, with a particular focus on the promises of visibility that the narratives of the Ancient World seem to make to the cinema.File in questo prodotto:
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