This article explores W.E.B. Du Bois’s political thought through his use of rhetoric in his The Crisis writings (1910s–1930s). I argue that Du Bois used The Crisis to build an interracial dialogue on civilandpoliticalrightstodrawsupportforfederalinterventioninfavorofAfricanAmericans. Du Bois’s views on artistic expression were an organic part of his program to build a black public image for political purposes. As Du Bois’s political strategy started shifting after 1925, so did his position on the political use of interracial dialogue and, thus, his ideas on artistic expression.
Martina Mallocci (2018). “All Art is Propaganda”: W.E.B. Du Bois’s The Crisis and the Construction of a Black Public Image. USABROAD, 1, 1-16 [10.6092/issn.2611-2752/7177].
“All Art is Propaganda”: W.E.B. Du Bois’s The Crisis and the Construction of a Black Public Image
MALLOCCI, MARTINA
2018
Abstract
This article explores W.E.B. Du Bois’s political thought through his use of rhetoric in his The Crisis writings (1910s–1930s). I argue that Du Bois used The Crisis to build an interracial dialogue on civilandpoliticalrightstodrawsupportforfederalinterventioninfavorofAfricanAmericans. Du Bois’s views on artistic expression were an organic part of his program to build a black public image for political purposes. As Du Bois’s political strategy started shifting after 1925, so did his position on the political use of interracial dialogue and, thus, his ideas on artistic expression.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.