In this paper, I connect J.R. Searle’s concept of constitutive rules and H.L.A. Hart’s concept of internal point of view and look for an extension of this joint paradigm in institutional ontology. I make a distinction between five different perspectives about an institution—structural, teleological, axiological, strategic, and sociological—and connect these perspectives to three kinds of concepts: institutional, meta-institutional, and para-institutional. In the light of these distinctions, I submit that an explanation of institutional phenomena requires a three-dimensional ontology consisting of a structure (framed by constitutive rules), a conceptual background, and an actual practice. I then proceed by showing that this three-dimensional ontology makes it possible to specify Hart’s famous distinction between internal and external point of view (the latter being either moderate or extreme) into a more shaded distinction between six different approaches to an institution, exemplified by six different archetypical characters.
Corrado Roversi (2018). Constitutive Rules and the Internal Point of View. ARGUMENTA, 4, 139-156 [10.14275/2465-2334/20187.rov].
Constitutive Rules and the Internal Point of View
Corrado Roversi
2018
Abstract
In this paper, I connect J.R. Searle’s concept of constitutive rules and H.L.A. Hart’s concept of internal point of view and look for an extension of this joint paradigm in institutional ontology. I make a distinction between five different perspectives about an institution—structural, teleological, axiological, strategic, and sociological—and connect these perspectives to three kinds of concepts: institutional, meta-institutional, and para-institutional. In the light of these distinctions, I submit that an explanation of institutional phenomena requires a three-dimensional ontology consisting of a structure (framed by constitutive rules), a conceptual background, and an actual practice. I then proceed by showing that this three-dimensional ontology makes it possible to specify Hart’s famous distinction between internal and external point of view (the latter being either moderate or extreme) into a more shaded distinction between six different approaches to an institution, exemplified by six different archetypical characters.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.