”Stop-frame is like live music, played on traditional instruments, compared to a studio recording using the finest instruments in the world, all the latest technology and some electronic instruments. The latter is more polished, more perfect, bigger, better, showier - but maybe lacks humanity. Stopframe is much less perfect, much less polished, unrepeatable, inaccurate - in a word, human.”, Peter Lord [Harryhausen and Dalton 2008]

Saini L, Lissarrague N, Albrecht G, Romani L (2011). Stop-motion animation: from a state of the art to an ideal process. MATAPLI, 95, 37-52.

Stop-motion animation: from a state of the art to an ideal process

Romani L
2011

Abstract

”Stop-frame is like live music, played on traditional instruments, compared to a studio recording using the finest instruments in the world, all the latest technology and some electronic instruments. The latter is more polished, more perfect, bigger, better, showier - but maybe lacks humanity. Stopframe is much less perfect, much less polished, unrepeatable, inaccurate - in a word, human.”, Peter Lord [Harryhausen and Dalton 2008]
2011
Saini L, Lissarrague N, Albrecht G, Romani L (2011). Stop-motion animation: from a state of the art to an ideal process. MATAPLI, 95, 37-52.
Saini L; Lissarrague N; Albrecht G; Romani L
File in questo prodotto:
Eventuali allegati, non sono esposti

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/646250
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact