Since 2004, I have been coordinating a Japanese language theater group, i.e., Gruppo di Teatro Giapponese SsenzaLiMIT. One of main goals of the project is to teach the Japanese language and culture through performing arts. The majority of our performers are Italian learners of Japanese studying in the Department of Interpreting and Translation of the University of Bologna. Every year we produce a full-fledged theater piece, writing an original script, and we perform in one of major theaters in Forlì (Italy). This is the twelfth production of the group that sheds light on several spiritual aspects of the Japanese culture, first of all, blind shaman women in Northern Japan "Itako," in contemporary contexts.

Pirruccio Guendalina, Ueyama, M., Vitali, E. (2016). Itako no Mako (Mako Itako).

Itako no Mako (Mako Itako)

UEYAMA, MOTOKO;
2016

Abstract

Since 2004, I have been coordinating a Japanese language theater group, i.e., Gruppo di Teatro Giapponese SsenzaLiMIT. One of main goals of the project is to teach the Japanese language and culture through performing arts. The majority of our performers are Italian learners of Japanese studying in the Department of Interpreting and Translation of the University of Bologna. Every year we produce a full-fledged theater piece, writing an original script, and we perform in one of major theaters in Forlì (Italy). This is the twelfth production of the group that sheds light on several spiritual aspects of the Japanese culture, first of all, blind shaman women in Northern Japan "Itako," in contemporary contexts.
2016
Pirruccio Guendalina, Ueyama, M., Vitali, E. (2016). Itako no Mako (Mako Itako).
Pirruccio Guendalina; Ueyama, Motoko; Vitali, Elena
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/603816
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