In this paper, after a brief historical overview, we will make a programmatic and paradigmatic comparison through analogy, between cartography and design. These two subjects both share three fundamental characteristics: a captivating appearance, usefulness, and also are ubiquitous in everyday life. This is particularly evident nowadays in mobile devices such as smartphones and tablets that are featured with a touchscreen technology. The paradigmaticity of such a comparison stands in the planning, and organizational quality, common to the two above mentioned subject areas. We will maintain that such a quality creates new aesthetics horizons, made possible as a result of great usability, functionality and interactivity. These features are achieved through the interdisciplinary cooperation between a careful design activity and a formal organization of symbols. These materialize into what we claim to be the «pass key» to this new kind of aesthetic experience rooted in the everyday and marked by immediacy: the interface.

Iannilli G.L. (2014). Interfacing Everydayness. From Distance to Use, Through the Cartographic Paradigm. AISTHESIS, 7(1), 63-72 [10.13128/Aisthesis-14611].

Interfacing Everydayness. From Distance to Use, Through the Cartographic Paradigm

IANNILLI, GIOIA LAURA
2014

Abstract

In this paper, after a brief historical overview, we will make a programmatic and paradigmatic comparison through analogy, between cartography and design. These two subjects both share three fundamental characteristics: a captivating appearance, usefulness, and also are ubiquitous in everyday life. This is particularly evident nowadays in mobile devices such as smartphones and tablets that are featured with a touchscreen technology. The paradigmaticity of such a comparison stands in the planning, and organizational quality, common to the two above mentioned subject areas. We will maintain that such a quality creates new aesthetics horizons, made possible as a result of great usability, functionality and interactivity. These features are achieved through the interdisciplinary cooperation between a careful design activity and a formal organization of symbols. These materialize into what we claim to be the «pass key» to this new kind of aesthetic experience rooted in the everyday and marked by immediacy: the interface.
2014
Iannilli G.L. (2014). Interfacing Everydayness. From Distance to Use, Through the Cartographic Paradigm. AISTHESIS, 7(1), 63-72 [10.13128/Aisthesis-14611].
Iannilli G.L.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/599133
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