The flow of memories, anecdotes, and testimonies emerging from this interview with Ugo Gregoretti, besides providing a completely original retrospective on the Italian and international cinema of the sixties, provides a portrait of a filmmaker who made his «intolerance» for labels his working principle for an eclectic, atypical, revolutionary, and free cinema.

Pas la tristesse ouvrière, mais la joie ouvrière! Intervista a Ugo Gregoretti

IENNA, GERARDO
2016

Abstract

The flow of memories, anecdotes, and testimonies emerging from this interview with Ugo Gregoretti, besides providing a completely original retrospective on the Italian and international cinema of the sixties, provides a portrait of a filmmaker who made his «intolerance» for labels his working principle for an eclectic, atypical, revolutionary, and free cinema.
2016
Ienna, Gerardo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/596506
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