Gli amori d’Apollo e di Dafne marked the first collaboration between the Venetian lawyer Giovan Francesco Busenello (1598-1659) and Francesco Cavalli (1602-1676), who staged all his librettos – La Didone (1641), La prosperità infelice di Giulio Cesare dittatore (1646) and La Statira (1656) – with the exception of L’Incoronazione di Poppea (by Claudio Monteverdi and perhaps by other composers) and of Il viaggio d’Enea all’inferno (the libretto remained in manuscript and was recently published in a modern edition.
Badolato Nicola (2015). «Ognun del suo saper par che s’appaghi»: Busenello and the Loves of Apollo and Daphne in Myth, Literature and the Visual Arts. PERFORMING PREMODERNITY ONLINE, I(January 2015), 1-26.
«Ognun del suo saper par che s’appaghi»: Busenello and the Loves of Apollo and Daphne in Myth, Literature and the Visual Arts
BADOLATO, NICOLA
2015
Abstract
Gli amori d’Apollo e di Dafne marked the first collaboration between the Venetian lawyer Giovan Francesco Busenello (1598-1659) and Francesco Cavalli (1602-1676), who staged all his librettos – La Didone (1641), La prosperità infelice di Giulio Cesare dittatore (1646) and La Statira (1656) – with the exception of L’Incoronazione di Poppea (by Claudio Monteverdi and perhaps by other composers) and of Il viaggio d’Enea all’inferno (the libretto remained in manuscript and was recently published in a modern edition.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
